Showing posts with label costume. Show all posts
Showing posts with label costume. Show all posts

Wednesday, 3 September 2014

Elf Cuffs & Fantasy Stuff - An Etsy Shop Re-Launched

I've recently just re-launched my Esty Shop, "Chameleon Candour - Elf Cuffs & Fantasy Stuff"! There's not that much there yet, but there is much more to come! Here's a little look at the stuff I've made available for purchase so far:

First up, a pair of what I call "Elf Cuffs", in a rusty orange coloured wool, with wool yarn felted into the base to make a pattern:

Second, another pair of Elf Cuffs in the same type of wool, but these are decorated with crochet flowers:

Thrirdly, and lastly for now (but not for long!), is a my signature leather belt (seriously, I wear this pretty much all the time)! It's not in stock, as this is made to order, and I tailor it to fit spesific measurements:


My sewing and crafting has mainly been a hobby, but it is as costly as it is time consuming, so I've decided to start selling certain products that I've received positive feedback on, in hopes that this hobby might actually start earning me a little money as well. I won't lie, it would be a dream come true if it turned out I could partially live off running an Etsy shop!

I would therefore be beyond thankful if you, my kind readers, would pop by it, have a look around, and, if you like what you see, favorite my shop and share it with your friends! And, of course, buy things from it, if you see something you want! ^_^

http://www.chameleoncandour.etsy.com

Thursday, 26 June 2014

New project: Fire Elsa

Like pretty much everyone else, I've been enthralled by Disney's Frozen, and like everyone else I've been singing Let it Go on almost a daily basis. However, the cold really does bother me, and so a while back, I made a fire version of the song and the idea struck me that it would be pretty awesome to make a cosplay to match it! And so started started the process of Fire Elsa!

Inspiration:



I started planning it quite early this year, picking up material that could potentially work from fabric sales and such, but in between finishing Tauriel for Desucon Fantasy for mid April, and suddenly deciding to update Kili for HobbitCon, time slipped through my fingers and I never got the chance to start working on it. Then, a few weeks ago, having originally planned to just go for Kili all of Desucon 9, I dived into it, not telling anyone, thinking that if I finished it, I'd use it, and if I didn't, no one would be the wiser.

I already had a dark orange skirt that could work, so I started out with the top and the corset. I actually tried out two different materials for the top before I decided on a third one, the same material as the train would be made of.

Here's a sample of some of the materials I used:


This photo really doesn't do justice to all the sparklies of this material!


 The corset was a bit of tricky business, though. I used an old corset as template and cut out pieces, realising too late that it was cut far too low for my bosom to function properly, let alone look even remotely decent. So, I added an extra piece which also accentuated the sweetheart cut, and allowed me to hide a bra underneath it all, which really helped! The modesty panel in the back had to be redone as well, having miscalculated and made it too small first time around, but finally, it fit and looked as it should!



I moved on to the train that flows from Elsa's corset. Made out of soft and extremely sparkly tulle, it needed no hemming and I could cut freely. Attaching it to the corset was another story all together, however. Though the tulle did have a certain amount of stretch in it, it would not be enough by far to allow for the gap I would need in the back to put the corset on before lacing it. I considered several different options such as using an elastic band, making it somehow detachable, attaching it to the top instead of the corset, but landed on hand sewing the train on to either side of the corset, all the way back to where the lacing began and leaving a lot of material in the back, which I then stitched on around the top lace of the lacing. It allowes for the material to be naturally gathered up when I lace the corset up, and looks pretty good as well! :)

This is how the finished result looks, although I might still add some details here and there:



And I couldn't help but to a bit of photo editing fun stuff:

Thursday, 3 April 2014

Tauriel Bodice

After I had stitched together the leather pieces as demonstrated in my last post, I also did the lining and attached some channels for boning to the latter. Using thin spiral steel boning gives the bodice the rigidity it needs, and yet allows it to remain flexible enough for comfort.

I sewed together the leather and the lining and proceeded to sort out the lacing in the back, inserting boning at the end piece and then eyelets for the lacing. Only to realize I'd made the whole thing a bit too wide; even lacing it all the way in, it looked and felt slack, so I had to do some cheating on the back panels to get rid of a couple of inches. That worked a treat!

Moving on from here, I started to work on the "winged" sweetheart neckline and straps. This was a fiddly process, but I got it right in the end, with the help of some pegs (!), and now, all that remains is to attach the two last bits on the straps, and then attach the latter in back!












Tuesday, 14 January 2014

Kíli Project - Boot covers and jacket

This is a long one and it's got a lot of pictures! But, first off, a tiny update on the boot covers: This is how they looked after I finished them:


  

Moving on, I started from scratch again with regards to Kili's jacket because the split leather was simply too thick and the suede finish just didn't work, so instead I found two pairs of leather trousers in a second hand shop and got them for a very decent price. They were so fabulously 80's - early 90's that I had to take a photo of at least one of them:


What's more, one of them had a little colourful surprise:

If this is not the worlds ugliest lining, then I don't know ...


















I took the trousers apart, splitting each into four pieces, which I then shuffled about and stitched back together again to make the basis of the jacket. Once that was done, I needed to finish the trim to be able to continue, so I picked up where I left it last time and started to add the blue material to the edges:
















 I realized quickly that it wouldn't look very good if I simply stitched it on, either by hand or machine, so, instead, I did a second layer of the golden zig-zag seam, only a tiny bit wider so as to fasten the blue material along with it.

Once that bit was done, I hand stitched the material to the backside so that it would look all nice and neat with no visible seams on the front.

When that was done, I started the work of fitting it onto the base of the jacket:












Having carefully pinned it to the leather, I proceeded to stitch it on by hand, and I tell you, this is a job where a thimble, a pair of hobby tongs and a lot of patience is needed!


As you can see on this photo, I decided to attach it so that the trim was sticking a bit outside the leather. This was simply because I hadn't had enough leather to get the exact width I needed, and this added the missing inch.














Because I know it's something Kili cosplayers have been discussing, I thought I'd address the matter of the trim vs. neckline issue by showing how I approached it. I went for the solution of folding the trim in on itself to make the corners, and I feel like it turned out quite nice.




Once the trim was done, there was only the matter of the gambeson sleeves left. From my research, I had found that these were only partially attached, with gaps under the arms for greater flexibility. I'd trimmed the armholes of the jacket basis with plain, black cotton trimming before I started attaching the sleeves.






 Again, thimble, tongs and patience were my friends, but I'd still say this costume is taking it's fair share of blood, sweat and tears. ;)



That's all for now! Next post, I'll be showing you how I made Kili's belt and pictures from the hair test with what was finished of the costume at that point! :)

Friday, 10 January 2014

Side project: Tauriel - part 2

Before I went back to the sewing, I decided to sit down and make Tauriel's pendant with Fimo clay. It was a fairly easy task and didn't take long, leaving room to make the bracers as well. Here's how they turned out:


Having finished the little bits and bobs, I finally returned to the green jacket to fix the collar and front opening. I made the collar, then cut the neckline before attaching it. Here's how it turned out:



















I fixed the front opening by sewing on little hook and eye fastenings all the way down the front, but I don't really have any good photos of it.

After all the seams were sewn, the costume was pretty much done. I'd bought some nice boots some months earlier and had decided to just wear some brown cotton leggings (mainly because it meant I could wear warm thermals underneath to shield me from the Norwegian winter cold), so I couldn't resist trying it all on, even if I didn't have the full hair and make-up!



















I took a couple of selfies, but the lighting wouldn't really show off the full costume, so I bribed my fella with a cup of tea and had him take some full figure photos where you can actually see the skirt and the boots as well. :)



Thursday, 9 January 2014

Side project: Tauriel - part 1

Considering I too was going to the premiere of The Desolation of Smaug, I needed a costume of my own. With all the rumours that had been going around about there potentially being a romance thing going on between a certain redheaded elf and Kíli, I obviously couldn't resist the temptation of making my first Middle Earth elf costume, so as a side project, I'd made a simplified Tauriel costume.

I started with the green jacket thing, which I made out of dark olive green linen:


Here's the pattern I made for the sleeves, which are the work of demons, I tell you! I first made a normal sleeve, and then marked up the lines where the new seams would go. Then I proceeded to cut the new seam lines and pinned it together so that I could adjust the seams to make the sleeves fitted. Once that was done stitched it together with big stitches and cut away the surplus fabric. Unraveling the seam, I then had a pattern for the sleeves and could start cutting the linen pieces.

I sewed them together to make sure they had the right fit and went on to make the bodice part of the jacket.

 I simply used a pattern I had from an old jacket design for the torso, and pinned the sleeves onto it when I  had sewn it together (this is the first time in ages that I've sewn sleeves on this way; I usually sew them on before I sew the side seams and the seams on the sleeves).
This is how it looked after I had attached the sleeves. They fell kind of awkwardly whilst on the mannequin, but it looked good when I put it on, so I continued. Cutting the waistline, I measured up the linen for the four "skirt flaps" on the jacket. It was a little trickier than I thought it be, because, I had limited amount of fabric and had to cut the flaps seperatly instead of making the skirt out of one or two pieces, and so it took some adjusting to get them all in the right length and width when attaching them to the bodice.

I got it right in the end though and moved on to the next step, which probably should have been the neckline and collar, but I was still a bit uncertain about how I wanted to do that, so instead I jumped on the next bit item, which was the leather bodice.


Because I didn't have any leather in the right colour, and thus would have to dye it anyway, I went with the light grey split leather I still have a ton of. It's suede, but it's thick and I needed the firmness of it to make it work.


I treated it as a basic corset construction with several panels, and it needed a bit of adjusting before I got the cut right, but in the end it turned out alright.



I made the straps and attached the extra bits on the front and it was done. All that remained was the colour. Now, since I didn't plan on using this costume a lot, I cheated and decided to just spray paint the fuck out of in, so (almost) one can of fur brown spray paint later, this was the result, and I figured it was close enough. After all, this was a side project to Kíli and I didn't want to spend too much time on it.


In between sewing and spray painting, I managed to fit in some time for a hair test. I can't stand wearing wigs, and If I can avoid it, I will. In this case it was pretty easy, as I have a very similar hair colour to the one Tauriel has, and it's now grown long enough to reach just underneath my shoulder blades. Yes, Tauriel has hair down to her knees (which is a practical nightmare if your job is to engage in combat, but I guess elves have magical hair that doesn't get caught on things or slap you in the face :p), but I figured I wouldn't want screen accurate length if I was to sit in a cinema most of the time whilst wearing this costume, anyway, so I just went with what I already had.

Doing the hair test made me thank the powers that be that I've been doing strength classes all year, 'cause the amount of strain this hairdo puts on your arms is insane! Turned out alright, though I found out that the side braids were in fact twisted and not braided, which I did for the premiere night.

I'll show you how it all turned out in part two! :)